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Streaming Sling Blade – Director’s Cut Online. Movie Title: Sling Blade – Director’s Cut Average customer review: Sling Blade – Director’s Cut is available for streaming or downloading. Click Here to Stream or Download Sling Blade – Director’s Cut

With the parodies and jokes surrounding the lead character of this film stating, “I like the way you talk,” I was not expecting this film to be anything I’d be impressed with. Boy, was I wrong. This a fantastic film.

Billy Bob Thornton plays Karl Childers, a man about to be released from a mental hospital after staying there for 30 years. Karl killed his own mother and her lover when he was only about 12 years old and you wonder from the beginning of this film – why are they letting him out?

Some people call him slow, some people say he’s retarded – but as each scene comes and goes, you realize that there is a lot more going on inside Karl’s head than anyone else believes.

While autism is not mentioned by name in the film, it’s obvious that this character was modeled after an autistic person. He does not maintain eye contact and rarely exhibits emotion or speaks.

He returns to his childhood hometown after being released from the hospital and puts his mechanical skills to good use as a small engine wiz at a local mechanic shop.

He befriends Frank (Lucas Black), a young boy who reminds Karl of the kind of life he could have had, if he had only had different parents. Frank’s mother has a psycho for a boyfriend (masterfully played by Dwight Yoakum) who treats Frank and his mother like garbage and threatens to kill them if the relationship ever ends.

Small town folks have big hearts, but sometimes small minds. Frank’s mother (Natalie Camerday) has a best friend who is gay (well acted by John Ritter) and he must hide his relationships from the townsfolk. Her friend Vaughn wants to go to a a bigger city with wider acceptance of his lifestyle, but he continues to stay to act as a guardian angel for his friend and her son.

As Karl meets and interacts with the new friends (and enemies) he meets, he reveals some of his darker secrets with his friend, Frank. While he shows almost no emotion, Karl’s story evokes tears from all but the most stony-hearted viewer. He not only feels great pain of what he has experienced and what he has done, he feels great empathy for Frank and his mother and holds their friendship dear to his heart.

There is violence in the film, but the most violent of scenes is just audible – nothing is seen, just heard. This film is too intense for young viewers, but teenagers should have no problem with it.

This film really makes you think – about what goes on in the minds of those who are mentally different in any way – and how all emotions are universal.

We know well the visage of the desolate, decadent, sometimes lascivious Southern landscape from the works of William Faulkner and others. Not unlike Faulkner, Billy Bob Thornton’s Sling Blade guides us guiltily toward the region’s historical and modern undercurrents of social prejudices, ignored dysfunction, sought acceptance, and resulting violence. The film addresses a universal human condition, however, and not the region.

The title of the film looms over the audience as Thornton urges fondness while successfully negotiating the fine line between our fear of, and affection for Karl Childers (Thornton), a recently released mental patient committed as a child for violently murdering his mother and her boyfriend. Sling Blade is a study in tension with thick suspense built through superior character development resulting in conflicts that escalate into deliberate, almost real-time rhythms.

The story is one of need and moreover of acceptance, as the collection of limping characters, directly or not, seek it, and to some degree, with the help of Karl, attain it. The boy, Frank (Lucas Black), seeks the love of a father figure after the suicide of his own. Linda, the mother (Natalie Canderday), requires the general acceptance of her perceived role as a Southern woman, and subsequently the acceptance from a mate, which is evident in her destructive dependence upon her demonic, red-neck boyfriend, Doyle (Dwight Yoakam). Her own deep need renders her perhaps overly accepting of others, including Karl, whom most mothers wouldn’t let within ten feet of there sons. Vaughn (John Ritter), like the others, seeks love, and on an outward scale, struggles with his half-open homosexuality in the small Southern town. Doyle, not unlike Linda, wants acceptance of his perceived role as a family head and wants to be loved as well, but lacks even the basic tools to a gain it. And finally Karl, the most dynamic character in the film, seeks acceptance only from himself as he works to garner love and to construct some semblance of a life within the limited bounds of his mental capacity, his stunted development, and his own set of morals.

While the climax of the film is somewhat telegraphed, it is more inevitable than predictable, and the audience is left alone with the wonderment and self-examination over the questionable choice of a sympathetic character. From Sling Blade we leave with the unsolicited lesson that tenderness and brutality sometimes share the same origin.
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Do the Right Thing Movie Streaming. Movie Title: Do the Right Thing Average customer review: Do the Right Thing is available for streaming or downloading. Click Here to Stream or Download Do the Right Thing

In only his third film, Spike Lee created a classic that is both socially relevant and artistically accomplished. By focusing the actions at one location in one day, this film reminds us that race relation cannot be improved if we don’t improve the way each one of us interacts with everyone else. The film’s finale is notable for its echos of real events that occurred not long before the film was made, and its prescience of events to follow. It is an unforgettable movie scene that shows how intolerance can victimize everyone. Nevertheless, the apocalyptic vision of the final scene did not sit well with some critics. Is it a call to end violence or to start violence, they asked. In the film Lee seems to say there are no easy answers.

Somewhat overlooked is the fact that the film also makes keen observations of lives of American black underclass, especially in the portrayals of the “cornermen”. Their exchanges are as amusing as they are trenchant in commenting the state of affairs of lower-class blacks. And through them, Lee takes the uncompromising position that sometimes the underprivileged can also be victims of their own mentalities.

Also, Lee subtlely shows the many faces of racial intolerance. While Sal’s son Pino overtly hates blacks, and Buggin’ Out is overtly intolerant of whites, but is the attitude of Sal himself really conducive towards racial harmony? Does he have a desire to get to know his neighbors, or does he simply want to “have no trouble with these people”, as he puts it? By leaving this aspect ambiguous, Lee makes us think just what IS the right thing to do…

Despite all the criticisms against him, I believe Lee tackled the difficult subject as intelligently as any director could have done.

The Criterion DVD contains most of the supplements in the Criterion laserdisc released in 1995 — audio commentaries, cast meetings and screen tests, ‘Making Of’ documentary. New supplements include Lee’s press conference at the ‘89 Cannes festival, video interview with editor Barry Brown, “Fight the Power” music video, and a video segment showing the filmmakers re-visiting the Bed-Stuy neighborhood.

The DVD’s video quality is characterized by deep, rich, saturated colors which cinamatographer Ernst Dickerson so brilliantly captured in order to create a feeling of overwhelming heat (literally and figuratively). There is a Dolby Digital 2.0 audio track (Prologic-decodable to surround), and a PCM stereo track that actually sounds brighter and crisper than the DD track.

Spike Lee’s 1989 film Do The Right Thing is among a handful of films that rise above the level of actual entertainment. It is thought-provoking, educational study of race relations. The film takes place during one extremely hot day in the Bedford-Stuyvesant section of Brooklyn. The neighborhood is predominately black, but the film centers around a pizzeria owned by Sal (Danny Aiello) who is white. All of Sal’s customers are the black, but on his wall he has pictures of white film and music stars. This is a source of irritation to some customers, especially the radically minded Buggin’ Out (Giancarlo Esposito). But Sal refuses to change and he goes about his business. Sal’s two sons, Pino (John Turturro) and Vito (Richard Edson) also work at the pizzeria as does Mookie (Mr. Lee) who is Sal’s delivery boy. Pino is highly bigoted and isn’t afraid to let his opinions be know, while Vito is more sensitive and adverse to confrontation. Real life husband and wife Ossie Davis & Ruby Dee appear as the neighborhood elders, Da Mayor & Mother Sister who are constantly trading humorous barbs at one another while dispensing advice to the locals. Other interesting characters such as Radio Raheem, Sweet Dick Willie & DJ Mister Senor Love Daddy are featured throughout the film. Mr. Lee does a brilliant job of conveying the extreme heat that has overtaken the neighborhood. You can almost feel the heat while watching the film. Tensions also slowly rise through the film until the climatic riot scene where Sal’s pizzeria is burned down, started by Mookie throwing a garbage can through the window. This is particularly devastating to Sal as he genuinely cared for Mookie and can’t believe Mookie would do this to him. Mr. Lee’s message in the film is that one doesn’t know exactly what the right thing is. He illustrates this by the messages of Martin Luther King, Jr. and Malcolm X. Dr. King was for a peaceful solution to racism while Malcolm X said to fight for equality by any means necessary. Is passively sitting back right or is violence right? Mr. Lee never answers the question, which is exactly his point. Do The Right Thing was shunned at the 1989 Academy Awards garnering only a nomination for Mr. Aiello (which was richly deserved) in the Best Supporting Actor category. Ironically the film that won Best Picture was Driving Miss Daisy which was the stereotypical Hollywood portrayal of blacks as subservient workers and the type of film that Mr. Lee’s pictures were the antithesis of. All in all, Do The Right Thing is a brilliant movie and one that deserves all the accolades that it received.
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Watch On Her Majesty’s Secret Service Online. Movie Title: On Her Majesty’s Secret Service Average customer review: On Her Majesty’s Secret Service is available for streaming or downloading. Click Here to Stream or Download On Her Majesty’s Secret Service

All I can say is it’s about time this movie has been available as a single DVD. Ever since its initial release this remarkable film has had to deal with the regrettable and entirely undeserved stigma of being a lesser and forgettable footnote in the Bond canon. Nothing could be further from the truth.

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On Her Majesty’s Secret Service is a masterpiece, both as a James Bond movie and as an adventure movie in its own right– and it is far and away the best Bond movie that has ever been made thusfar. The reasons for this are manifold. For one thing it succeeds marvelously on both an artistic as well as an escapist level– imho it’s the only Bond film so far to achieve this. Secondly it features what is easily the greatest score in a Bond movie, and possibly the greatest action theme music ever–the ripping instrumental theme still excites me every time I hear it after 25 years and more listens than I could possibly hope to remember. Thirdly it features one of the best ensemble casts of all the Bond movies– every part was perfectly cast (yes even Bond) and they all played off each other wonderfully. Last but not least it was directed but arguably the best of all Bond directors, Peter Hunt.

On Her Majesty’s Secret Service is unique among the Bond movies in so many ways, most notably in that it stars the criminally underrated George Lazenby as Bond. Lazenby was a fight instructor with the Special Forces, a championship skier and swimmer– all of which contributed to him having a remarkable physical grace, as well as the sort of radiant magnetism, confidence and swagger that simply can’t be faked. In short, where most of the Bonds have been actors trying to be action heroes, Lazenby was an action hero trying to be an actor– and as far as I’m concerned this gave him a distinct advantage over everyone else who has attempted the role. And he was bloody cool. So cool, in fact, that to this day, more than Connery even, watching Lazenby makes the 12 year-old in me want to run out and save the world. Topping everything off the man was a model and absolutely adored by women. In short he was, to my mind, far and away the most naturally qualified of any of the actors who have ever played Bond. Yes, he was a little rough around the edges in the acting department, but by God he had it where it counted and was diamond in the rough. It is one of the great tragedies of action cinema history that we didn’t get to see him develop as Bond.

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And then there’s the film itself. In addition to a fantastic lead it also contains one of the best villains of the series– Telly Savalas’ Blofeld. Egotistical, charming, entirely self-centred, brilliant as well as menacing and physically imposing, he was the perfect counter to Lazenby’s Bond. You could literally sense the urgency and drive behind his egocentric madness– clearly he was a villain to be reckoned with. And there was that cool way he held his cigarettes. Furthermore, On Her Majesty’s Secret Service has what is probably the best story of the series. It struck just the right balance between the absurd (the mountaintop fortress and plan to destroy the world’s crops) and the serious (the character development and lack of gadgets and over-the-top fantastic elements) as well as touching on some quintessential male fantasy elements: a bevy of beauties atop a mountain hideaway on the one hand, and the delectable Tracy on the other. Let it be said here and now that as ridiculous as the idea of hypnotizing a group of beautiful women to go out and do your bidding really is, it must be noted that the whole concept is fantastically cool on the level of fantasy on which Bond films have always had their true niche. If Ian Fleming were alive to day I would give him a good pat on the back for that one.

Let us now consider the action scenes– some of the best of the entire series– not the least of which are the stellar fight scenes: brutal and personal, not to be approached in awesomeness until Casino Royale two years ago. And then there are the ski scenes– utterly fantastic. The Piz Gloria escape is easily the single most exciting scene in the whole series, and it culminates so beautifully with Bond lost and alone at the ice rink, unsure what to do before lo! his guardian angel appears. I would go so far as to say that from the moment Bond is imprisoned in the cable-car room right through the end of the movie, we have perhaps the best extended action sequence in any Bond movie, perhaps in any action movie ever– and it’s scored brilliantly by the incomparable John Barry.

Above all, however, one gets a definite sense watching On Her Majesty’s Secret Service of how much went into it. Starting with Goldfinger and culminating with You Only Live Twice the Bond movie producers went quite over the top and shifted the focus of the films away from character and depth into the realm of big budget spectacle– to the point that the character of Bond was reduced to a cheap toupe adorning all the nonsense going on around him. By the time On Her Majesty’s Secret Service was made they evidently decided to direct the series back to its roots. One thing that stands out to me more every time I watch this film is how much it is apparent that everyone involved with it put their heart and soul into making the “epic” Bond film. It broke all the standard Hollywood success rules– it blew the then just-established formula to smithereens, it was the first one to really address James Bond as a human being, it was the first to give Bond a chance to fall in love, to have him register genuine fear and emotion, and so on.

Looking back it’s almost as if some higher power intervened, realigned the planets and allowed the fireworks and spectacles to be put on hold for one movie so that the filmmakers could make a movie from their heart, so they could tell a story without sacrificing its integrity on the altar of crazy gadgets, whimsical plotlines and futuristic sets– and I think it is this quality that gives OHMSS its true pulse, that quality which, to me, makes it stand out more and more as the best film of the series with each viewing. Goldfinger and Thunderball may have embedded Bond firmly in the collective popular consciousness, but On Her Majesty’s Secret Service captured perfectly the soul of Bond– and it hasn’t been topped since.

To paraphrase a tribute once given to a great historical personage: To a traveler standing near a mountain range many eminences seem to have approximately the same altitude; it is difficult to disengage Everest from its lofty neighbors. But as the range recedes in the distance, the highest peak lifts more and more above its fellows, until it alone fills the horizon. So it has been with On Her Majesty’s Secret Service.

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This is the sixth “official” (meaning EON productions) movie in the James Bond series.

It is based on the 1963 novel of the same name by the late Ian Flaming. This movie follows the plot of this novel quite closely.

This is the only Bond movie to star George Lazenby as fictional MI6 agent James Bond, code number 007. (Sean Connery had quit after starring in five Bond movies.)

After “Dr. No” (1962), this is the only Bond movie with solely instrumental opening credits theme music. (This music is still quite thrilling to hear after all these years.)

Yes, Ernst Stavro Blofeld, head of SPECTRE (SPecial Executive for Counter-intelligence, Terrorism, Revenge, and Extortion) is Bond’s nemesis in this movie. In fact, this is the second in what is considered to be the “Blofeld Trilogy.” (This means that the Bond movie before this one had Blofeld and the Bond movie after this one had Blofeld. In all three cases, Blofeld was played by a different actor. In this movie, the legendary Telly Savalas plays a superb Blofeld.)

What is especially unique about this movie is that Bond meets, falls in love with, and eventually marries Contessa Teresa “Tracy” di Vicenzo (well-acted by Diana Rigg). Note that Rigg is the main Bond girl but there are twelve more. These dozen Bond girls are Blofeld’s unwitting “Angels of Death.”

During the Bond and Tracy courtship, there is the song “We have all the time in the world” sung by the incomparable Louis Armstrong. This song is special since this is his last recorded song.

I liked the little things the writers put into this movie. I’ll mention just a few of them:

(1) The gun-barrel sequence was slightly different from the ones Bond fans were used to seeing at that time. (2) At the end of the opening sequence, Bond actually talks to the audience. (I don’t think this has occurred in any other Bond movie.) (3) During the opening credits sequence, there are outtakes from previous Bond movies. (4) In one scene in this movie, Bond visits his office and takes out from his desk drawer gadgets from the previous Bond movies “Dr. No,” “From Russia with Love,” and “Thunderball.” (Interestingly, this movie has minimal gadgets.) (5) In another scene, a janitor can be heard whistling the theme from “Goldfinger.”

There is much debate about George Lazenby’s James Bond. Personally, I liked him as Bond since he looks and moves like Bond. Due to the nature of the double plot, he had to be both sensitive and ruthless. He pulls it off. Unfortunately, Sean Connery was so closely identified with the role at the time such that people had a hard time seeing Lazenby in the role. (Lazenby, despite being offered a seven-movie contract deal, quit the role on advice from his agent.)

The only problem I had with this movie is that it takes a long time to set up and viewers may get bored because of this. But the wait is worth it! The last hour of the movie is essentially one long, thrilling action sequence. After watching this accompanied by the specially-composed instrumental music (described above), you might feel like going out and saving the world from evil!!

Beware that this movie ends on a sad note but the ending is realistic considering the nature of Bond’s job.

This movie was filmed on location in Switzerland, Portugal, and London, England.

It grossed eighty-seven million dollars worldwide (that’s a respectable five-hundred and thirteen million in today’s dollars). It was one of the highest grossing movies worldwide at that time.

The DVD (released in 2009) is flawless in picture and sound quality. This movie has been digitally restored and I’m sure the picture is just as good (if not better!!) than when it was released forty years ago. There is one extra, an audio commentary.

Finally, here is some information to consider. This DVD is actually the first disc of the two disc “Ultimate Edition.” Bond fanatics may want to purchase this two-disc Ultimate Edition since the second disc has “the best collection of special features ever assembled for Bond.” (Unfortunately, the Ultimate Edition is no longer available but can be purchased second-hand.)

In conclusion, this is a unique and exciting James Bond movie that has been overlooked!!

(1969; 2 hr, 20 min; wide screen; 32 scenes)

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Watch Strangers in Good Company Online. Movie Title: Strangers in Good Company Average customer review: Strangers in Good Company is available for streaming or downloading. Click Here to Stream or Download Strangers in Good Company

This is a seriously good movie, for those on the search for a serious good movie, but don’t go expecting much by way of a plot. With much of it improv, it feels more like a documentary. Like “survivor for seniors.” What happens if you drop a busload of very old women off in the woods and tell them to fend for themselves?

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It’s all very civilized, and there’s not a lot of urgency about it. No pulling straws to see who gets eaten. Just a bunch of old women (and one mildly injured young one) trying to figure out how to divide an apple into 7ths while sharing the details of their lives. The most intriguing, for me, aspect of this film is that the actresses played themselves. Nonagenerian Constance Garneau was really Nonagenerian Constance Garneau, and when she weeps with fear at the thought of her impending death it doesn’t feel like acting. Octagenerian Cissy Medding’s bewildered grief as she faces her own fear of a life unloved and alone is not feigned.

But don’t let me mislead you–this movie is not depressing. It’s affirming. These old girls get along very nicely with each other and their world, and while there are no answers to the deeper dilemmas they face (we do get the sense that Constance may find hers), they manage their present challenge with an enviable bon vivant. In places, in fact, it’s very funny. The interaction between Mary Meigs and Cissy Meddings when Mary reveals her awkward secret is priceless.

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Good friends, good movie. I highly recommend.

This is one of a select few DVDs I give to special friends knowing that the viewing of it will be received as a true gift. The story line is simple: 8 women — 7 are elderly — must grow resourceful when their bus breaks down and they are stranded miles from civilization.

At the time the film was made, the 7 women, all non-actors, were feeling old and marginalized in their lives. Their situation changed one magical summer when they became unlikely movie stars. This film is a record of that summer. The viewer is caressed by the presence of these women as they open up and blossom before our eyes on screen. Enduring friendships were forged among cast members, many of whom felt their participation in this film was the best experience of their lives. Inevitably, most of the cast members are now gone. It is rewarding to know that these women lived to experience their standing ovations when the film was initially released.

Please note that there is a companion book about the making of the film (and more), written by cast member Mary Meigs titled “In the Company of Strangers” published by Talonbooks. It is a splendid read and is available from Amazon.com.
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Stream The Sword in the Stone Movie Online. Movie Title: The Sword in the Stone Average customer review: The Sword in the Stone is available for streaming or downloading. Click Here to Stream or Download The Sword in the Stone

I remember “The Sword in the Stone” as a widescreen movie, so I was dismayed to find that Disney had released this animated favorite to DVD in a cropped/pan-and-scan format. However, on further investigation, I discovered that, to my surprise, “The Sword in the Stone” was not a widescreen motion picture… at least not originally. Apparently, like “101 Dalmations” and other films of the late 1950s and early 1960s, “The Sword in the Stone” was made to be projected in one of two formats: either widescreen or full-frame, depending on the theater where it was shown. It seems that the Disney animators designed the film with a bit of ‘extra picture’ at the top and bottom of each frame; that way this ‘extra’ could be cut off without ruining the image in theaters playing it in widescreen. In other theaters, and on television, the film could be shown in a standard full-frame (1.33:1) format. So, according to Disney, the current full-frame DVD of “TSITS” is indeed the film in it’s “original format’. Admittedly, it may not be the way that most of us remember this great little movie, but it is the way the folks at Disney made it.

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Sometime in the medieval ages, there is a legend about this magic stone that contains a sword and according to the legend, who so pulls out the sword from the anvil shall become king of all England. Though many tried to pull it, no miracle and the sword was forgotten for ages in an age of no laws, brutality and darkness in just which magician Merlin has trouble with the days of no kings, he then meets a young squire named “Wart” ( a.k.a. Arthur) whom is a problemic young man with a mean foster father and big foster brother, Merlin then trains Wart through education in order to become more social and on adventures that will lead him to pull the sword out of the stone.

An underrated disney classic that is a delightful story with good animation for it’s time, nice songs like “Higitus Figitus” and humor makes this a definite must have for the animation DVD collector everywhere.

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The DVD has some great extras like two cartoons, Behind the songs with a deleted song that never made it into the film, still frame galleries, All Abou the Magic 1957 episode or “Walt Disney Presents”, Film-facts, sing-alongs and great remastering with good sound quality.
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Watch Of Mice and Men Online. Movie Title: Of Mice and Men Average customer review: Of Mice and Men is available for streaming or downloading. Click Here to Stream or Download Of Mice and Men

John Steinbeck’s masterful story of friendship is definitively brought to screen in Lewis Milestone’s 1939 OF MICE AND MEN. This is a terrific movie, essential viewing for anyone with a tolerance for black and white. The story is so universal and cleanly told this one is hard not to become deeply engrossed in.

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Lon Chaney Jr., rightfully, is the chief reason we remember this movie. He nails the role of the feeble-minded Lennie, who wants nothing more than to tend his rabbits. I’ve never seen this movie before, and I was surprised at how effective Burgess Meredith was as Lennie’s friend and protector, George. If Chaney steals most of the scenes he’s in, Meredith is the reliable engine, grounded in humanity, that draws us in.

OF MICE AND MEN has been remade once, in 1992, in a production starring John Malkovich and Gary Sinise. For all of Malkovich’s talents, I still prefer Chaney’s performance. More importantly, the 1939 production was contemporaneous with Steinbeck’s novel. If the latter movie is a period piece, the 1939 version is current events, and that does make a difference.

Get out the hankies and get ready to be deeply moved. An essential movie.

From 1939, arguably the most oustanding year for films in Hollywood history, this eloquent, moving and touching film is almost a forgotten piece of masterful moviemaking.

Lewis Milestone faithfully brought to the screen John Steinbecks time honored novel about two nomadic workers sharing a simple dream of one day owning their own farm. Lon Chaney gives his most memorable performance (apart from his portrayal’s as tormented wolf man, Lawrence Talbot) as the immensely strong, but simple-minded Lennie. Burgess Meredith, in a fine performance too, plays his jaded travelling companion, George Milton. The two men seek work on a farm bucking barley, but their situation quickly darkens due to the aggressive, bullying attitudes of the owners son, Curley (well acted by serial cowboy, Bob Steele) and his bored and lonely wife, Mae (Betty Field)

In addition to this masterly casting, there is marvellous support lent by Charles Bickford as the straightforward head ranch hand, Slim…..Noah Beery Jr. as the kind hearted and easy going cowpoke, Whit….and noted stage actor Roman Bohen is simply unforgettable as the crippled old timer, Candy. Bohen solidly contributes to many key scenes throughout the film, and his on screen relationship with his faithful, old dog is exceptionally moving (aided by a poignant score from Aaron Copeland)

“Of Mice and Men” rightfully deserves it’s place as one of the finest American films of the twentieth century. An inspiring piece of film making that will illict a wide range of emotions from fans of strong, story driven films. Simply, a must see !
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Streaming Bleach Uncut Season 2 Box Set Online. Movie Title: Bleach Uncut Season 2 Box Set Average customer review: Bleach Uncut Season 2 Box Set is available for streaming or downloading. Click Here to Stream or Download Bleach Uncut Season 2 Box Set

While there are several other reviews regarding the show itself, I’m going to focus primarily on the technical aspects of the box set. After all, I figure if you’re looking for season 2, you already know what the show is about.

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The box set itself is sharp looking and made the same as the first season. It’s made in ‘book’ format, which, in my opinion, is a lot more easy to handle than the usual fold-out box sets. While the first season had a poster of Ichigo with character reference sketches on the back of it, this Ichigo poster is blank on the back. There is no inclusion of a paper with the episode titles, which I wish they did. While all you see on the screen are episode numbers, each one does, indeed, have an official title that would make locating favorite episodes much easier.

The special on this set focuses on four voice actors: Michelle Ruff (Rukia), Wally Wingert (Renji), Spike Spencer (Hanataro), and Dan Woren (Byakuya). They discuss their opinions on their characters, as well as voice acting itself. I’m not sure how long it was, but it was long enough to enjoy.

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If you are looking for good subtitles, these are mediocre. They pretty much keep to the dubbing ‘rules’. For example, they don’t keep character names as the Japanese VA says them, but always their first name. Chad is always put as ‘Chad’, even if Ichigo is not the one speaking. They also leave off any honorifics (-kun, -san, -chan, etc) in the subs. If you’re picky about that (as I am), it can be pretty irritating. Viz releases always seem to be this way, however.

They sub the opening and ending themes as well.

While they claim the episodes are uncut, and the main body of the episodes are indeed whole, they do not include the Shinigami Golden shorts. I’m not sure if the Japanese DVD releases have them, but I know that they’ve started by now, even if all these particular episodes only are character introductory ones. I only hope that when they actually are little side stories, Viz includes them on the DVDs. This complaint is particularly confusing as they even dubbed Kon’s announcement that they would start soon in one of the episode previews.

All that aside, $40 (as of today) is a fantastic price for an entire season of a great anime.

The first season of “Bleach” ended with Ichigo, Uryu, Chad, Orihime and the cat Yoruichi leaving the living world for the Soul Society, intent on saving Rukia.

But getting there isn’t the least of their problems. The second major arc of the “Bleach” series — called “The Entry” — continues our heroes’ quest to rescue Rukia from a death sentence, but they run into a new set of obstacles. It’s pretty divided between action, slapstick and exposition, as well as a series of mysteries and conspiracies — and a lot of likable new characters.

Ichigo and Co. narrowly make it into the Soul Society, almost losing Uryu along the way. And unfortunately — between lethal captains and a building-sized Gatekeeper — it’s almost impossible to get inside the Soul Reapers’ fortress, the Seireitei. Their only way inside is to ask an eccentric friend of Yoruichi’s, a fireworks expert called Kukaku Shiba, to blast them (and her rough-edged brother Ganju) inside the Seireitei from the sky.

But surprisingly, being shot into orbit with a giant cannon isn’t the worst thing that happens. The little group gets split apart — and Ichigo finds himself facing an increasingly strong series of opponents, including the enraged Renji Abarai and the battle-hungry Captain Zaraki. Facing defeat and death, Ichigo is forced to call upon an ally he never knew he had — and face a horrible inner enemy.

When a murder is committed in the Seireitei, the Soul Reapers are thrown into chaos, as they automatically blame the “ryoka” intruders for the death of one of their own. Orihime, Chad and Uryu are trying to fight their way in, but it’s Ganju and the timid Soul Reaper medic Hanataro who make it to Rukia’s cell — only to reveal a horrifying secret from her past.

If the first season of “Bleach” was all about introducing the main characters and the concept of Soul Reapers, then the second season is all about Ichigo and Co. causing as much mayhem as possible in the Soul Society. Well, the Soul Society is not as pleasant and peaceful as Rukia led us to believe — in fact, it has even more weirdos than Ichigo’s hometown.

And while the storytelling is well-balanced, the second season is much more violent — there’s floods of blood, massive near-fatal injuries, and Byakuya Kuchiki’s ability to shred opponents from a distance with tiny “cherry blossom” pieces of metal. And the storyline takes an unexpected twist halfway through, when a character is apparently murdered and the lieutenants start turning against each other. And since there are hints of a conspiracy involving Rukia, it’s pretty obvious that something is rotten in the state of the Soul Society. Just what it is remains to be seen, but it promises to cause even more chaos in the Seireitei.

But not all is doom and blood in the second “Bleach” season — it’s still liberally peppered with funny dialogue (”That’s a pretty cute name for someone who takes himself so seriously.” “MY NAME IS NOT CUTE!”) and physical goofery (Yoruichi’s true form is revealed to Ichigo). Though our heroes spend a lot of time running around causing mayhem, they also create a lot of humor as well — such as when Ichigo screams for Ganju, only to realize that he just alerted several off-duty Soul Reapers to his location.

Ichigo has to learn a bunch of new skills in this season, including getting closer to his inner, um, sword. Uryu’s chivalrous side gets a workout when Orihime is threatened. And Chad’s history is finally revealed in full, such as how this gentle giant became determined never to fight for his own sake, and how he became fast friends with Ichigo.

There are a couple of new characters too: we get to see Renji’s miserable youth with Rukia, and why he’s hellbent on defeating Ichigo. And our heroes team up with an adorably timid Soul Reaper medic named Hanataro, who serves as tour guide/comic relief for much of the season (”See how full of life and energy and vitality I am?”) as well as the boar-riding Ganju.

While most of the Soul Reapers aren’t fleshed out, they are given enough quirks and personality to seem very realistic — narcissists, child prodigies, bookworms, battle-o-philes, bombshells and little creepy girls with pink hair. Two particular standouts are a laid-back, sake-chugging captain named Shunsui Kyoraku, and Rukia’s captain, a sickly hunk named Ukitake.

The second “Bleach” season takes our heroes straight into the heart of the Soul Society, and a lot of new trouble as well. Definitely worth checking out — but expect one heckuva cliffhanger.
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Stream Seven Signs of the Apocalypse Online. Movie Title: Seven Signs of the Apocalypse Average customer review: Seven Signs of the Apocalypse is available for streaming or downloading. Click Here to Stream or Download Seven Signs of the Apocalypse

The DVD ( Seven Signs of The Apocalypse ) is the very best for those who love Science and Biblical Prophecy. It combines the best of both worlds by fairly looking at and combining possible ways that our planet can be destroyed by both Natural & Super natural means, Man’s incompetence through neglect, Global War and Biblical Prophecy.

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It’s realistic and well thought out by experts on both sides of the issue and has great visual effects of these events. It’s one of the really good End Times DVD’s that shows how this world of ours can end and presented by highly educated scolars in Science and Biblical Prophecy as they work together on this topic.

I will more than likely in the future order more of these and from a person who loves the Bible and Technology, I say it is the best Movie / Doc. out there. Mark

This is nothing more than supposition presented as factual, scientific research. The narrator delivers sentences like, “An astroid collision could happen, so it’s not a question of if but when.” I’m sorry, but the verb “could” implies “if.” But, to present this as a definite is utterly irresponsible. This is nothing but worse-case, doomsday scenarios (and that’s just what they are hypothetical scenarios) offered as examples of our ultimate demise. It has without a doubt created even much deeper skeptisicm with material from the History Channel.
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Stream The L Word: Complete Series Pack Online. Movie Title: The L Word: Complete Series Pack Average customer review: The L Word: Complete Series Pack is available for streaming or downloading. Click Here to Stream or Download The L Word: Complete Series Pack

The L Word series is about the lives, loves and friendships of a group of lesbians living in Los Angeles. The casting is superb: Jennifer Beals (Bette), Erin Daniels (Dana), Leisha Hailey (Alice), Laurel Holloman (Tina), Mia Kirshner (Jenny Schecter), Katherine Moennig (Shane), Pam Grier (Kit), Rachel Shelley (Helena) and Daniela Sea (Max), only to name a few. In addition, there are guest appearances by Cybill Shepherd, Gloria Steinem, Ossie Davis, Billie Jean King and Snoop Dog. Every element in the series is first class: the photography, scenery, costumes and story lines. The music is among the best I’ve heard in any series. I never realized there were so many talented women artists. Plus there are performances by many well known artists, including Heart.

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The series deals with a number of serious gay issues: coming out, gay adoption & parenting, coming out to parents, gays in the military and trangendering from female to male. Plus it puts a lesbian perspective on issues common to us all: love, relationships, monogamy, promiscuity, breast cancer and job discrimination. It includes women from all age groups: from their early twenties to their mid-fifties. I was pretty naive about transgenders and was quite touched by Max’s struggles as she/he goes through the transition process. Dana’s struggle with breast cancer is absolutely heart wrenching. When Phyllis (Cybill Shepherd) comes out as a lesbian after twenty years of marriage the story is both touching and hilarious. There is a lighter side: The Gay Pride Parade, The Lesbian, Gay Bisexual, Transgender festivities at the 11th Annual Women’s Event in New York and when the gang goes on an Olivia Cruise it made me want to immediately jump on the boat and ride away into lesbian heaven.

The show does not portray your typical butch-femme stereotypes. Instead you have gorgeous lesbians dressed in exquisite clothes. The lingerie only adds to the sexiness. The love scenes are not just hot, they are sizzling. Most lesbian love scenes are done by straight women and appear fake and sometimes look downright painful. Not here! The kissing, touching and simulated sex are absolute erotic. Shane, who is known for her promiscuity, steams up the screen with her seduction of an array of women.

The only disappointment is the ending of the series. It leaves more questions than answers. Who really killed Jenny Schecter? It could be that way because they are leaving the series open to a sequel.

The cost of the series may seem expensive, but consider that you are getting a total of 81 episodes. Plus each season includes a number of bonus features. This is a series you will watch over and over and is well worth the money.

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Streaming V for Vendetta Online. Movie Title: V for Vendetta Average customer review: V for Vendetta is available for streaming or downloading. Click Here to Stream or Download V for Vendetta

“V for Vendetta” is going to confuse a lot of people. Nevertheless, and make no mistake about it, this is movie making of the highest order, combining all the finest elements of great storytelling into a potent roller coaster of a movie filled with great action,intellect and above all, ideas. Its message can – and will – easily be dismissed by naysayers as sophomoric or too “out there,” or “anti-american” but there is also an earnestness here that will resonate strongly, and perhaps, frighteningly, to many viewers who will not fail to see the correlation between this fictional tale and the way the world we live in works.

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Filled with stereotypes and archetypes, “V” is unapologetic in its essaying of morality and in its strongly held sentiment that this tale is “for the people, by the people.” Brothers and writers Larry and Andy Wachowski (of Matrix fame) have infused their screenplay with the anger, confusion and hope captured in Alan Moore’s original graphic novel – and it’s better looking as a result.

I truly believe that many who see “V” will be upset by it, but hopefully more of us will be inspired by its bold, blatant message and take a good hard look at ourselves and the way the world works around us and see that, with sacrifice and thoughtfulness, the world can be changed.

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As Evey, Natalie Portman is cast in something of the “victim” role, but she makes us route for her, and to her credit she goes beyond that making the transformation of her character not only believable, but in the end, noble.

Hugo Weaving – the man behind the mask – gives a performance that can only be described as mesmerizing. As “V” he exposes all of the strength and weakness of a character that is equal parts savior and villain.

The physical production is beautiful in its realism as it paints a nightmarish world of the not-very-distant future (2020) and is chilling in its depiction of governmental power, socio-political corruption and, ultimately, the complacency of its citizens. Weaving’s “V” challenges, and ultimately changes all of that, as he quickly unravels the fabric of civilized society, capturing the public with his bold ideas – and with the promise and permanancy of change through rebellion and political uprising.

Most chillingly, the film invokes the dread once feared in “1984″ but with a renewed vigor that drives home the horrors Orwell foresaw, and still loom large in our comfy modern world. Chilling? You betcha! For those who know the novel, there is little skimping, and, given the current world situation, one must absolutely applaud the filmmakers for “going there” as far as the ending is concerned. This is film making at its emotional and challenging best.

Are there flaws? Of course there are, but ultimately “V for Vendetta” rises far above them in its presentation of a world filled with ideas that have forever been debated, and does it in a story well told, beautifully acted and full of hope for humankind. Not bad work for a movie. Actually, it’s magnificent.

Alan Moore’s decision to want his name off the final credits for the film adaptation of V for Vendetta now makes sense. Moore has had a hate/hate relationship with Hollywood and the film industry in general. They’ve taken two of his other works in The League of Extraordinary Gentlemen and From Hell and bollocks’d them up (to borrow a term used quite abit in V for Vendetta). Outside of Watchmen, Alan Moore sees V for Vendetta as one of his more personal works and after reading the screenplay adaptation of the graphic novel by The Wachowski Brothers his decision afterwards was to demand his name be removed from the film if it was ever made. Part of this was his hatred of the film industry for their past mistakes and another being his wish for a perfect adaptation or none at all. Well, V for Vendetta by James McTeigue and The Wachowski Brothers is not a perfect film adaptation. What it turns out to be is a film that stays true to the spirit of Moore’s graphic novel and given a modern, up-to-the-current news retelling of the world’s state of affairs.

V for Vendetta starts off with abit of a prologue to explain the relevance of the Guy Fawkes mask worn by V throughout the film and the significance of the date of the 5th of November. I think this change in the story from the source material may be for the benefit of audiences who didn’t grow up in the UK and have no idea of who Guy Fawkes was and what his Gunpowder Plot was all about. The sequence is short but informative. From then on we move on to the start of the main story and here the film adheres close enough to the source material with a few changes to the Evey character (played with skill that more than makes up for her Amidala performances) but not enough to ruin the character. Caught after curfew and accosted by the ruling government’s secret police called Fingermen, Evey soon encounters V who saves her not just from imprisonment but rape.

Right from the start the one thing McTeigue and The Wachowski Brothers got dead-on was casting Hugo Weaving as the title character. Voice silky, velvety and sonorous, Weaving infuses V with an otherworldly, theatrical personality. Whether V was speaking phrases from Shakespeare, philosophers or pop culture icons, the voice gave a character who doesn’t show his face from behind the enternally-smiling Guy Fawkes mask real life. I’d forgiven the makers of this films for some of the changes they made to the story and some of the characters for keeping V as close to how Moore wrote him. Once V and Evey are thrown in together by the happenstance of that nightly encounter their fates became intertwined. Portman plays the reluctant witness to V’s acts of terrorism, murders and destruction in the beginning, but a poignant and emotionally powerful sequence to start the second half of the film soon brings Evey’s character not much towards V’s way of doing things, but to understanding just why he’s doing them. This sequence became the emotional punch of the whole film and is literally lifted word for word from the graphic novel. I heard more than just a few people sobbing in the theater as the scenes and story unfolded.

The rest of the cast seemed like a who’s who of the British acting community. From Stephen Rea’s stubborn and dogged Chief Inspector Finch whose quest to find V leads him to finding clues about his government’s past actions that he’d rather have not found. Then there’s Stephen Fry’s flamboyant TV show host who becomes Evey’s only other ally whose secret longings have been forbidden by the government, but who’s awakened by V’s actions to go through with his own form of rebellion. Then there’s John Hurt as High Chancellor Adam Sutler who’s seen chewing up the scenery with his Hitler-like performance through Big Brother video conferences (an ironic bit of casting since John Hurt also played Winston Smith in the film adaptation of the Orwell classic 1984). I really couldn’t find any of the supporting players as having done a bad job in their performances. Even Hurt’s Sutler may seemed over-the-top to some but his performance just showed how much of a hatemonger Sutler and in the end his Norsefire party really were in order to stay in power.

The story itself, as I mentioned earlier, had had some changes made to it. Some of these changes angered Moore and probably anger his more die-hard fans. I count myself as one of these die-hards, but I know how film adaptations of classic literary works must and need to trim some of the fat from the main body and theme of the story to fully translate onto the silver screen. The Wachowski Brother’s screenplay did just that. They trimmed some of the side stories and tertiary characters from the story and concentrated on V, Evey and Inspector Finch’s pursuit of both and the truth. This adaptation is much closer to how Peter Jackson adapted The Lord of the Rings. As a fan of Moore I understood why he was unhappy with the changes. But then Moore is also an avowed perfectionist and only a perfect adaptation would do.

Already critics on both sides of the aisle have called V for Vendetta revolutionary, subversive, daring to irresponsible, propagandist. All because the film dares to ask serious questions about the nature and role of violence as a form of dissent. But the granddaddy question the film brings up that has people talking is the question: terrorist or freedom fighter? Is V one or the other or is he both? Make no mistake about it, V for all intents and purposes is a terrorist if one was to use the definition of what a terrorist is. The makers of this film goes to great lenghts to describe throughout the film just how Sutler and his Norsefire (with its iconic Nazi-like symbols and fundamentaist Christian thinking) party rose to power in the UK. Partly due to what seemed like the failed US foreign policy and its subsequent and destructive decline as a superpower and the worldwide panic and fear it began as a result. V for Vendetta also ask just who was to blame for allowing such individuals to rule over them. V has his reasons for killing these powers-that-be, but he also points out that people really should just look in the mirror if they need to know who really was to blame. For it was the population — whose desire to remain safe and have a semblance of peace — gave up more and more of their basic liberties and rights for a return to order. If one was to look at the past 100 years they would see that it’s happened before. There was the regime of Pol Pot in Cambodia, Milosevic’s Greater Serbia, and the king of the hill of them all being Adolf Hitler and his Nazi Inner Circle.

Another thing about V for Vendetta that will surely talked about alot will be the images used in the film. Not just images and symbols looking so much like Nazi icons, but images from the current events sweeping the globe that has been shown time and time again in the news and written about in magazines and newspapers. The film shows people bound and hooded like prisoners from Abu Ghraib. The reason of the war on terror used time and time again by Sutler to justify why England and its people need him and his group to protect them by any means necessary. V for Vendetta seems like a timely film for our current times. Even with the conclusion of the film finally accomplishing what Guy Fawkes failed to do that night of November 5th some 400 plus years ago, V for Vendetta doesn’t give all the answers to all the questions it raises. For some I’m sure this would be something that’ll frustrate them. So much of people who go to watch thought-provoking films want their questions answered as clearly as possible and all of them. V for Vendetta doesn’t answer them but gives the audience enough information to try and work it out themselves.

In final analysis, V for Vendetta accomplishes in bringing the main themes of Alan Moore’s graphic novel to life and even does it well despite some of the changes made. It is a film that is sure to polarize the extreme left and right of the political pundits and commentators. But as a piece of thought-provoking and even as a politically subversive film, V for Vendetta does it job well. It is not a perfect film by any respect, but the story and message it tries to convey in addition to its value as a piece of entertainment mor than makes up for its flaws. V for Vendetta more than continues the current crop of seriously done comic book fillm adaptations (Batman Begins, X2, Sin City, and A History of Violence) but it also shows that Alan Moore’s work can be adapted well to the screen when given to the right people. It may not be perfect and it may not make Alan Moore happy, but it comes close and more than makes up for LXG and From Hell.
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